Chalukya Geneology: those in green are known to provide more patronage to temple building |
Historians largely credit Pulakesin I [literally means tiger-haired] to establish the Chalukya empire at around 550 AD a little after Gupta empire declined. Although historians differ about the origin of Chalukyas, the Chalukya period is considered to be the golden age of Karnataka history.
The most prominent among the Chalukyan Kings were Pulakeshin I and II and Vikramaditya II. They were attributed to most of the development and expansion that happened under this dynasty. They were also recognized to have hugely contributed to cultural development of the state. Hsüan-tsang who visited Harshavardhana in north also travelled to Badami during the rule of Pulakesin II. The Chalukya patronage not only contributed immensely to the development of Kannada as the language [there are quite a few inscriptions in Badami, Aihole and Pattadakal which are in Saskrit but written in old Kannada script showing the evolution of Kannada as a language] , it also helped maturing dravidian style of architecture. Both Aihole and Pattadakal show some of the glorious development of south Indian temple architectures. History attributes Kirtivarman I and Mangalesha for construction of Badami cave temples [covered in my last post] but it was Pulakesin II who oversaw the development of different temples in Aihole.
Aihole Temple complex
Present ASI heritage site of Aihole is a complex of 22 temples built at different times during Chalukyan period. Typical features unique to Badami Chalukyas architecture include mortarless assembly, an emphasis on length rather than width or height, flat roofs, richly carved ceilings, and, sculpturally, an emphasis on relatively few major figures, which tend to be isolated from each other rather than arranged in crowded groups. The aesthetic sensibility of sculpture from this period also seems to retain a certain classical quality whose impulse does not carry over into later periods of Indian art (Susan Huntington, 1985). Aihole served as the laboratory of rock craftsmanship. They mixed contemporary south-indian and north indian styles to bring up something unique. Usage of curved towers decorated with blind arches came from northern India. Plastered walls with panel inserts are a southern Indian style. Two temples in this complex are worth a little elaboration.Durga Temple from Front |
Durga Temple at Aihole from the backside |
Pattadakal
Pattadakal temple complex: seen both the Nagara style and Vimana style temples |
More photos are available at Picasa album.
How to go there
Badami is the nearest railway station for Pattadakal. Badami (Station Code:BDM ) itself is on the less busy Solapur-Gadag route. This means, there are not many long distance trains connect Badami directly with other metro cities in the region. Hubli and Hospet are the major junctions nearby. Hubli is connected to Bangalore and has many trains running between Bangalore and Hubli. This site provides a comprehensive list of alternative routes. But my personal suggestion would be that you club this with Hampi. That way you can stay in Hampi and take a tourist cab [pelnty available] from Hampi/Hospet for a day trip to Badami. Since Aihole and Pattadakal are nearby, you can cover them in one day.Reference
http://www.preservearticles.com/2011101715538/short-essay-on-the-chalukyas-of-badami.htmlhttp://ratnagiri.nic.in/Gazetter/GOM/his_chalukyas.html
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